Ruth Ann Harnisch
EXECUTIVE PRODUCER
Ruth Ann founded the Harnisch Foundation in 1998, not only fully aware of the unfairness that allows families of wealth to shelter income from taxes but also determined to make the best use of this advantage. (Neither she nor any family member is on the Foundation’s payroll.) She’s a traitor to her economic class by working to end her own tax breaks. In the meantime, she purposes herself to use this privilege on behalf of others.
Prior to her philanthropic focus, Ruth Ann’s multimedia career in Nashville,TN allowed her to break a few glass ceilings. She was a television news reporter and anchor (fun fact, Oprah was her cubicle neighbor at CBS affiliate WTVF-TV), radio talk show host (WLAC-AM), OpEd Columnist and newspaper feature writer (Nashville Banner). This work taught her how public policy affected everyday lives and the fate of the world. Her days and nights on those jobs were a constant adventure in discovering what can go wrong in the world (and how people can prevent, fix, and/or reverse wrongness). She learned there were many ways to create social change.
One sure way to influence change is to apply money. So when Ruth Ann and Bill Harnisch married (and his generosity added personal financial resources to her tools of influence), TheHF was born. Millions of dollars and thousands of grants later, she’s grateful for the opportunity to make a difference in the causes she cares about most. Because she’s been sensitive to systems of inequality throughout her life, her philanthropic interests lean toward creating a fairer world for everyone, especially those who don’t benefit from a world built to serve white straight cis able-bodied men.
Outside of the foundation, Ruth Ann is a private investor with a portfolio that includes women-led startups. Ruth Ann invests both personal and philanthropic capital in content creation, including feature films, documentaries, series, and other media that advance social causes and explore topics of important public interest, often in partnership with other funders including Impact Partners. Her documentary films have been shortlisted for (Unrest), nominated for (The Hunting Ground), and won (Icarus, Best Documentary Feature, 2017) Oscar consideration.
Ruth Ann is also a professional certified coach. She has an active pro bono practice coaching “people who are up to something big in the world,” skills that also inform her volunteer service as a trained Crisis Text Line crisis counselor. Ruth Ann is a member of the Women Donors Network, Women Moving Millions, Rachel’s Network (environmental funders), the International Women’s Forum (Tennessee and New York City Forums), the Women at Sundance Leadership Council, and the Leadership Nashville Alumni Association. If you see her bouncing around the Zoom chat, she’s getting in those Fitbit steps. And because she’s over 70 she’ll be wearing a mask wherever she’s working on dismantling patriarchal white supremacy.
Bill Harnisch
EXECUTIVE PRODUCER
Bill Harnisch, co-founder of the Harnisch Foundation, bought his first share of stock when he was barely into his teens. That was over 60 years ago and Bill’s fascination with markets continues to this day. His success in the equity investment business provides the money that fuels the philanthropy.
Founded in 2000, his Peconic Partners hedge fund is his main vehicle for investment. He managed and sold two other investment firms during his career. Bill graduated from Baruch College of the City University of New York, where he now serves as a trustee of the Baruch College Fund Board and is a member of the Investment Committee. He was awarded the Chartered Financial Analyst designation in 1977, and is a member of the CFA Institute. He also belongs to the New York Academy of Sciences, YPO, and CEO.
His opinions on markets have been quoted in the Wall Street Journal, Barron’s, The New York Times, Business Week, Bloomberg News, and many other international publications.
Bill’s industry expertise in the field of health care informs his philanthropic interests, and in fact it was at an event for one of his medical charities that he met his future wife, Ruth Ann. In recent years Bill has taken a very active role in the Foundation’s work. He’s been an advisor and coach to TED Fellows as well as Baruch students who receive scholarships he’s endowed. He’s led the research on most of the social change documentaries in which the Foundation has invested.
He’s never forgotten his Queens, New York roots and he will gladly show you where he learned to swim, which in perfect alignment with our mission, used to be the Boys Club, and is now the Boys and Girls Club.
Ted Haddock
EXECUTIVE PRODUCER
Ted Haddock is Founder & President of Common Pictures, a not-for-profit film company producing stories that humanize, inspire and heal our broken world. Ted also serves as President of The Edward E. Haddock, Jr. Family Foundation, investing in social justice and environmental stewardship. Previously, Ted served as Director of Photography with International Justice Mission in Washington, DC, providing a global voice for survivors of human rights abuses. He earned an MFA in photography from Indiana University and a BA from Furman University. Ted and his wife Kellie live with their family in Orlando, Fla.
Mari Nakachi
EXECUTIVE PRODUCER
Mari Nakachi is co-founder and partner of Lakeville Productions, a company specializing in creating engaging non-fiction and narrative projects for both U.S. and international audiences. With over 20 years of experience producing successful stage productions and visual media in New York and Japan, Nakachi has a strong background in cross-cultural content creation. Her work in visual media includes co-directing and producing a documentary for Asahi TV and translating the poignant Japanese children's book Every Year When August Comes into English, which subsequently reached Danish and Swedish audiences, underscoring the power of storytelling to transcend cultural boundaries. Previously, as a partner at Carrmaquest Productions, Nakachi produced the Pulitzer Prize-winning play “Dinner with Friends.” Her extensive theatrical productions have garnered numerous accolades, including a Tony Award® nomination, a Lucille Lortel Award, a Dramatist Guild Award, an Outer Critics Circle Award, the American Theatre Critics Association New Play Award, and a Drama Desk Award nomination. Nakachi has also contributed her expertise as a panelist for the “Made in NY: Behind the Scenes” Industry Series event at the Apollo Theatre, presented by the Mayor’s Office of Media and Entertainment and The Broadway League.
A former corporate attorney, she is a graduate of Harvard College and the University of Virginia School of Law. Her commitment to the arts began early with Volunteer Lawyers for the Arts and continues through her service on the boards of the Second Stage Theater, the U.S. Olympic & Paralympic Foundation, and Harvard College.
Jacqueline Glover
EXECUTIVE PRODUCER
Jacqueline Glover is co-founder and partner of Lakeville Productions, a company specializing in creating engaging non-fiction and narrative projects for both U.S. and international audiences. Glover is also the Executive Director of the Black Film Project at the Hutchins Center for African and African American Research at Harvard, a newly created fellowship that supports established and emerging filmmakers focusing on the Black experience. Previously, Glover was at Disney, as Head of ABC News Documentary Films and Head of Documentary Programming for Onyx Collective, where she developed, produced, and acquired nonfiction projects for Hulu, including Emmy® nominated "Pretty Baby: Brooke Shields" and Oscar® winning documentary, "Summer of Soul." Prior to that, she was Senior Vice President of HBO Documentary Films, overseeing all aspects of the department's programming, including development, acquisitions, and production. Projects included Emmy® Award winner and Peabody Award winner “True Justice," Emmy® Award winner “King in the Wilderness,” Oscar® winner “Crisis Hotline: Veterans Press 1,” and Spike Lee’s Oscar® nominated documentary "4 Little Girls,” and his Emmy® Award winning documentary “When the Levees Broke: A Requiem in Four Acts.” Glover also produced HBO’s “Unchained Memories: Readings From the Slave Narratives,” which received 4 Emmy® nominations.
A former corporate attorney, she is a graduate of Harvard College and the University of Virginia School of Law. Her commitment to the arts began early with Volunteer Lawyers for the Arts and continues through her service on the boards of the Second Stage Theater, the U.S. Olympic & Paralympic Foundation, and Harvard College.
Sam Pollard
EXECUTIVE PRODUCER
Sam Pollard has been called one of “cinema’s most dedicated chroniclers of the Black experience in America.” He has collaborated with Spike Lee since 1990, editing and co-producing a number of Lee’s films, including 4 LITTLE GIRLS and WHEN THE LEVEES BROKE. Pollard has directed and produced SLAVERY BY ANOTHER NAME (PBS), AUGUST WILSON: THE GROUND ON WHICH I STAND (American Masters), TWO TRAINS RUNNIN’ (American Masters), SOUTH TO BLACK POWER (HBO), CITIZEN ASHE (CNN) and THE LEAGUE (Magnolia Pictures). He co-directed the six-part series WHY WE HATE (The Discovery Channel) and the HBO series ATLANTA’S MISSING AND MURDERED: THE LOST CHILDREN. His 2020 film MLK/FBI (IFC Films) was shortlisted for an Academy Award for Best Documentary Feature.
Cindy Meehl
EXECUTIVE PRODUCER
Cindy Meehl is an award-winning director and executive producer known for her feature documentary work. Her directorial debut, BUCK, premiered at the 2011 Sundance Film Festival, where it won the festival’s U.S. Documentary Audience Award, and was shortlisted for the Academy Award for Best Documentary Feature. Meehl also directed THE DOC DOC (2019), which premiered at the Tribeca Festival and was released in 2020. Her latest film, JIMMY & THE DEMONS, is set to premiere at Tribeca 2025. She has also been an executive producer on a range of acclaimed films including FASHION REIMAGINED (dir. Becky Hutner, 2022), REWIND (dir. Sasha Neulinger, 2019), THE RIVER AND THE WALL (dir. Ben Masters, 2019), FOR THE BIRDS (dir. Richard Miron, 2018), TRAPPED (dir. Dawn Porter, 2016), UNBRANDED (dir. Phillip Baribeau, 2025) and DOGS ON THE INSIDE (dirs. Brean Cunningham and Douglas Seirup, 2014).
Jesse Allain-Marcus
ASSOCIATE EDITOR
Jessse Allain-Marcus is an emmy-nominated editor, filmmaker, and writer whose work involves archives, science fiction, and recently analog filmmaking.
Jesse was born and raised in Los Angeles, CA before receiving a BA in English Literature, with a concentration in Race and Ethnicity, from Wesleyan University. Currently, he resides in Brooklyn, N.Y. and works as a freelance documentary editor.
Pablo Proenza
EDITOR
Pablo Proenza has over 25 years of experience editing, writing and directing for film and television. NATCHEZ is his second collaboration with Suzannah Herbert, having co-written and edited Herbert's festival favorite WRESTLE. He has also been a longtime collaborator with Michael Moore and edited FAHRENHEIT 11/9, which premiered at TIFF and was called “fearless and profound” by Variety; served as a consulting producer on TRUMPLAND; and traveled half the world with Moore for the Oscar-shortlisted WHERE TO INVADE NEXT. Proenza also edited BUENA VISTA SOCIAL CLUB: ADIOS for Oscar-nominated director Lucy Walker and, most recently, edited UVALDE MOM, which premiered at SXSW 2025. Other credits include directing and editing DARK MIRROR, which broke VOD records for IFC Films, directing an episode of the horror/doc show SCHOOL SPIRITS and directing his film debut, VIDI, which the Boston Phoenix called “a masterpiece.”
Noah Collier
DIRECTOR OF PHOTOGRAPHY
Noah Collier is a cinematographer and director whose directorial debut, CARPET COWBOYS, released by Memory, premiered theatrically in the U.S. in August 2023. Collier’s cinematography credits include the Sundance Special Jury award winner, JAWLINE (Hulu), THE COME UP (Hulu) and SANTA CAMP (HBO).
Darcy McKinnon
PRODUCER
Darcy McKinnon is a documentary filmmaker based in New Orleans whose work focuses on the American South and the Caribbean. Recently released projects include A KING LIKE ME and ROLEPLAY (SXSW, 2024), COMMUTED (PBS, 2024), ALGIERS, AMERICA (Hulu, 2023), UNDER G-D (Sundance 2023), LOOK AT ME! XXXTENTACION (SXSW, Hulu, 2022) and THE NEUTRAL GROUND (Tribeca, POV, 2021). Current projects in production include Jason Fitzroy Jeffers’s THE FIRST PLANTATION, Abe Felix’s TURNAROUND, CJ Hunt’s UNLEARNED, Nicole Craine’s KINFOLK and Zac Manuel’s THE INSTRUMENT. McKinnon’s work has been seen on World Channel, AfroPop, POV, Reel South, LPB and Hulu and has screened at Sundance, Tribeca, SXSW, CPH:DOX and more. She is an alum of the Impact Partners Producing Fellowship and the Sundance Institute Creative Producing Fellowship and is a recipient of American Documentary’s Creative Visionary Award.
Suzannah Herbert
DIRECTOR/PRODUCER
Suzannah Herbert is a documentary director and editor from Memphis whose directing work focuses on the American South. Herbert directed and produced the twice Emmy-nominated film WRESTLE. Named one of the top 5 documentaries of 2019 by the National Board of Review, lauded as “superb” by the Los Angeles Times, and hailed as a New York Times Critic’s Pick, WRESTLE was released theatrically by Oscilloscope and broadcast on PBS’s Independent Lens. As an editor, she has collaborated on various Bob Dylan, Tony Bennett and Lady Gaga projects, music videos and award-winning films like 2022’s A WOMAN ON THE OUTSIDE (SXSW 2022, PBS’s America Reframed). Her second feature film, NATCHEZ, premiering at the 2025 Tribeca Festival, was supported by ITVS, Catapult Film Fund, the Ford Foundation, Rooftop Films Fund, CIFF Points North Fellowship, Logan Nonfiction Fellowship, Yaddo, True False Catapult Rough Cut Retreat and Film Independent.